This highly stylistic setting created a profundity to the often obvious or banal storylines, it really was a triumph in spades.
#Vienna blood full
An overload of ravishing but fading Biedermeier interiors from the 1850's slowing morphing to the secession period around the Fin de siècle before arriving at full on art nouveau.
#Vienna blood series
Series 3 Two things placed this drama on a pedestal of excellence. I want one of those strudels now! The source material and screenplay from this has a lightness of touch that plays with the viewer like an Agatha Christie, it really is the best thing I have seen for years. A travel guide to Vienna could not do a better job displaying the sumptuous, decadent and luxuriate Biedermeier style of the fin-de-siecle.
It was quite a shock that we had a change of actress playing Amelia, and then playing it so differently, however we must all embrace change. This show had real depth and kept us guessing as the investigation unfolded. It was a team act of the first order, totally believable acting with a clever, humorous and nuanced script. This show just has everything with the chemistry between Max and Oskar at the heart of it. Season 2 Hit the ground with a bang, a strychnine poisoning, a hotel lothario, a countess, self-flagellation and plenty of Freudian interrogation. I would confirm without hesitation another couple of series and advertise this shows brilliance widely. Matthew (cheek-bones) Beard is certainly a tremendous talent as is Jurgen Murer. This was certainly not a cheap production, what incredible detail, the stylist deserves an award. Continuity was confirmed with several overarching story lines and we had strong ensemble performances. There were smatterings of Sherlock Holmes and Ripper Street but this drama held it own with its own style and panache. This was totally gripping! The show rested entirely on the believable relationship between Dr Max and Inspector Reinhardt, and this was comprehensively realised by really quite brilliant underplayed acting and deadpan delivery. Straightforward linear stories set in a sumptuous set, with brilliant direction and a lightness of touch on the delivery of what could have been a clunky script. Vienna Blood Season 1 & 2 I loved this series of three murder investigations. I hope the coming episodes are equally high in quality to the first one. In this first episode most of the secondary characters did not get much attention, but I hope this will change in later episodes. There are some small references to the famous 'Third Man', or I thought to recognise them. Of course Vienna is the third main Character, as it is shown in most of it's remaining Glory from the old days. Tension is built very well until the case is solved in a nice finale. There is always some dry humor present, which makes the show a very pleasant watch.ĭirecting by Robert Dornhelm in the first episode is great. Very high production values, meticulously catching the flair of the young 20th century during the short time when Vienna was the capital of a huge empire, where the Jews tried to find their place by assimilating themselves. But they may have had a similiar name for a killer's extrapolated personality.Īcting is really very good, and Mathew Beard is just optimal for Liebermann, exploring new methods of deduction and investigation. The term of 'profiler' is used, and I'm quite sure that's for the audience only, and wasn't known then. Of course, Both main characters, Lieberman and the inspector, have to come together from very diametrical positions of how a case should be solved. First to say, it's not Sherlock & Watson.
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